Mixed Race Studies

Michael Tisserand: When I learned more about his family, I understood a bit more not just the pressures he [George Herriman] must have felt in passing for white, but also the strange, unsettling feeling it must have been to identify with a group of people historically known as Free People of Color, or Mulatto, or Creoles… a group that constantly was seeing its very identity being changed legally and linguistically and culturally. And then for Herriman to work in a genre so deeply influenced by the masks of minstrelsy! When I read a classic Krazy Kat line such as “lenguage is that we may mis-unda-stend each udda,” it seems pretty clear that Herriman had a deep understanding of what we now consider to be modern notions of the slipperiness of language and a sort of permeability of identity…

Paul Tumey,“A “Konversation” with George Herriman’s Biographer, Michael Tisserand (Part One),” The Comics Journal, November 14, 2016. http://www.tcj.com/a-konversation-with-george-herrimans-biographer-michael-tisserand-part-one/.

Mixing kids in school leads to more mixed-race adult relationships

IZA Newsroom
Forschungsinstitut zur Zukunft der Arbeit (Institute for the Study of Labor)
Bonn, Germany
2016-11-24

Does the racial mix of students’ classmates affect their behavior later on in life? A new IZA Discussion Paper by Luca Paolo Merlino, Max Friedrich Steinhardt and Liam Wren-Lewis compares American students, contrasting those who happen to be in an age group with fewer blacks in their class compared to other classes in the school.

The study finds that white students with more black classmates are more likely to cohabit and have children with a black partner later on in life. The effect is driven by a change in racial attitudes: These students report less prejudice, and as adults they are less likely to think that race is an important factor within a relationship…

Read the entire article here.

Krazy racial rules: New biography of cartoonist George Herriman

The Times-Picayune
New Orleans, Louisiana
2016-11-25

Doug MacCash, Arts and Entertainment Writer

New Orleans-born Krazy Kat cartoonist George Herriman (Photo by Will Connell, courtesy Michael Tisserand)

“Krazy: A Life in Black and White,” the biography of Crescent City-born newspaper cartoonist extraordinaire George Herriman (1880-1944) is an absorbing study of a genius with a secret.

Herriman’s equally compelling and confounding “Krazy Kat” cartoon is considered a milestone in modern art. As New Orleans author Michael Tisserand deftly points out in his 549-page volume, the illogic of Herriman’s ink-on-paper drawings mirror the absurdity of the racial divide in early 20th-century America.

After 10 years of scouring microfilm archives, yellowed newspapers and public records, Tisserand has pieced together Herriman’s journey from his humble birth in the Treme neighborhood to heights of fame in Jazz-era New York and Los Angeles. It wasn’t easy.

“I had to teach myself to be an historian,” Tisserand said. “I didn’t anticipate the amount of difficulty it would be finding Herman’s work.”

Like a snake handler, Tisserand uncoils the confusing racial politics of New Orleans in the Jim Crow era, where the descendants of slaves and the descendants of so-called free people of color suffered segregation, discrimination and violence at the hands of the white population.

As Tisserand explains, when Herriman was 10 years old, his parents fled the South for a new beginning in California, where personal reinvention was possible. As Tisserand wrote, “Herriman was a black man born in New Orleans.” But upon reaching the Pacific, Herriman’s parents “had obscured their identity and ‘passed’ for white.”…

Read the entire article here.

Tall, pale and handsome: why more Asian men are using skin-whitening products

The Conversation
2016-11-24

Gideon Lasco, Ph.D. Candidate in Medical Anthropology
Amsterdam Institute for Social Science Research (AISSR)
University of Amsterdam

Jose, 19, is a college student in Puerto Princesa City, Philippines.

On a regular school day, after he wakes up, he takes a shower, scrubbing his body using soap made of papaya (Carica papaya), a fruit that’s said to have skin-whitening properties. Afterwards, he applies a facial whitening lotion, and before finally going to school he uses SPF 30 sunscreen, again with whitening properties, on his face and arms.

Jose was one of many young people I met in my ethnographic work as part of the Chemical Youth Project, a research programme that sought to document and make sense of the different chemicals that young people use in their everyday lives, from cosmetics to cigarettes.

Skin whitening among women has long been commonplace in the Philippines and other parts of Asia and the world but, while working on this project, I was struck by the fact that young men too, are using a plethora of whitening products. And that these products have proliferated in various retail outlets, from shopping malls to small sari-sari, or neighbourhood, stores.

But this development is not unique to the Philippines either. A 2015 study found that the prevalence of skin-whitening product use among male university students in 26 low and middle-income countries was 16.7%. The figure was higher in many Asian countries: 17.4% in India, 25.4% in the Philippines, and 69.5% in Thailand.

In the Asia-Pacific region alone, the male cosmetics industry was estimated at $2.1 billion in 2016. Whiteners are likely to be a significant component of this figure; a 2010 study reported that 61% of all cosmetics in India had a whitening effect…

Read the entire article here.

Genevieve Gaignard tackles race, class and identity at the California African American Museum

The Los Angeles Times
2016-11-17

Deborah Vankin, Contact Reporter

Genevieve Gaignard’s identity-bending “Extra Value (After Venus)” (2016). (Genevieve Gaignard / Shulamit Nazarian)

Growing up in the working-class mill town of Orange, Mass., Genevieve Gaignard wrestled with her identity. She was the fair-skinned daughter of a black father and white mother. She was the proverbial middle child. She struggled with body issues. Often, she says, she felt misunderstood, if not invisible.

Now 35 and living in Los Angeles, Gaignard has a strong sense of herself and her place in the world as a multidisciplinary artist. In “Smell the Roses,” the artist’s first museum show in Los Angeles, Gaignard tackles the big issues of race, class and, especially, identity.

The exhibition at the California African American Museum includes photography, video and assemblage works, but the nine large photographs, all richly colored performative self-portraits, are standouts. Like the artist Carrie Mae Weems, Gaignard uses the medium to explore the contemporary African American experience; like Cindy Sherman, she dons wigs and heavy makeup to create female caricatures that humorously embody societal stereotypes. The women she portrays are both anonymous and familiar — individuals steeped in aesthetics from pop culture, drag queen hyper-femininity, the working class, ’70s chic à la Netflix’s “The Get Down,” TV news and street fashion, among other influences…

Read the entire article here.

Born a Crime: Stories from a South African Childhood

Spiegel & Grau (an imprint of Random House)
2016-11-15
204 pages
Hardcover ISBN: 978-0399588174

Trevor Noah

The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

More than Just Friends? School Peers and Adult Interracial Relationships

Forschungsinstitut zur Zukunft der Arbeit (Institute for the Study of Labor)
Bonn, Germany
Discussion Paper No. 10319 (October 2016)
40 pages

Luca Paolo Merlino, Associate Professor
Université Paris 1 Panthéon Sorbonne

Max F. Steinhardt, Research Fellow
Helmut Schmidt University, IZA, LdA and CELSI

Liam Wren-Lewis, Associate Member
Paris School of Economics and INRA

This paper investigates the impact of individuals’ school peers on their adult romantic relationships. In particular, we consider the effect of quasi-random variation in the share of black students within an individual’s cohort on the percentage of adults’ cohabiting partners that are black. We find that more black peers leads to more relationships with blacks later in life. The results are similar whether relationships begun near or far from school, suggesting that the racial mix of schools has an important and persistent impact on racial attitudes.

Read the entire discussion paper here.

You took a DNA test and it says you are Native American. So what?

PRI’s The World
Public Radio International
2016-11-24

Andrea Crossan, Senior Producer
Boston, Massachusetts

Have you been tempted to try one of those genetic testing kits, like the ones sold by Ancestry.com or 23andme.com?

Maybe you’ve seen a commercial featuring Kim Trujillo.

In it, Trujillo talks about how she discovered she was part Native American.

So you get the kit, swab your mouth, mail it back and you find out you are Native American. Then what?…

Read the story here. Listen to the story (00:05:15) here. Download the story here.

A “Konversation” with George Herriman’s Biographer, Michael Tisserand (Part One)

The Comics Journal
2016-11-14

Paul Tumey

Michael Tisserand in Krazy Kat territory (Photo credit: Cecilia Tisserand)

“Herriman was talking about race and identity — as profoundly as anyone has, in my opinion — but I never see that as his big “Topic.” It was just part of his world, and the world he created, even if others were slow to recognize it.” —Michael Tisserand

The first time I saw Michael Tisserand, he was walking up my doorstep, holding what appeared to be a red brick by his head, almost — but not quite– in a throwing pose. Turns out the red brick was the recently released Library of American Comics collection of Krazy Kat dailies for which he wrote the introduction, and it was a gift (aren’t all bricks gifts in [George] Herriman’s world?).

In early December 2016, HarperCollins will release Tisserand’s long-awaited book, Krazy: George Herriman, A Life in Black and White. The book, over 500 pages in length, offers the first detailed biography of the man many regard as the greatest cartoonist of the twentieth century. Chris Ware has spoken highly of the book, observing: “Michael Tisserand’s Krazy draws back the curtain on the one [Herriman] who’s been with us all along.” The book has drawn an early favorable review from Kirkus which states, in part: “Essential reading for comics fans and history buffs, Krazy is a roaring success, providing an indispensable new perspective on turn-of-the-century America.”…

…Paul Tumey: Having that perspective from reading your biography on Herriman’s life massively expanded my understanding and appreciation of his work. I have to admit, I was a bit daunted at first when I realized there was a chunk of early family history to read before our man comes onto the scene. But you know what? After a page or two of pouty grumbling, I was totally captivated – the stories are great, and you did a nice job of telling them. And later, I realized how valuable that perspective is – it’s the foundation for understanding the deepest levels of Herriman’s work.

Michael Tisserand: When I learned more about his family, I understood a bit more not just the pressures he must have felt in passing for white, but also the strange, unsettling feeling it must have been to identify with a group of people historically known as Free People of Color, or Mulatto, or Creoles … a group that constantly was seeing its very identity being changed legally and linguistically and culturally. And then for Herriman to work in a genre so deeply influenced by the masks of minstrelsy! When I read a classic Krazy Kat line such as “lenguage is that we may mis-unda-stend each udda,” it seems pretty clear that Herriman had a deep understanding of what we now consider to be modern notions of the slipperiness of language and a sort of permeability of identity….

Read the entire interview here.

Multiethnic Women

FEM: UCLA’s Feminist Newsmagazine Since 1973
2015-12-04

Kali Croke

Out of all the things that compose an individual’s identity, one’s culture (defined by similarities in ideals, religion, language, habits, etc.) is perhaps the most significant. While we mostly understand the experiences of people of different singular cultures, oftentimes the experiences of individuals with more than one ethnicity are overlooked or unheard. I sat down with women of multiple ethnicities to better understand how their multiple cultures have shaped their lives, experiences and viewpoints on the world. Below are transcribed excerpts of these conversations…

Read the entire article here.