Scholarly perspectives on the mixed race experience.
“There is an important difference between identity and identification, which Karen and I have talked about in our book Racecraft. Rachel Dolezal was able to define her identity well enough to become what she said she was in her environment, in Spokane. And that’s something available to her partly because of the way that we as a society define who is black and who is not.
Anybody can be black — black is defined as any known or visible ancestry — or “one drop of blood.” So it’s really not based on what you look like, even if you go to the trouble of tanning and wearing a wig and whatnot.
Most Afro Americans don’t have any control over identification. Their identity, how they define themselves, how they perceive themselves, can be overruled by that identification. That’s what happens when we see Afro-American police officers killed by their comrades by mistake. Their identity as a police officer is overruled instantly and fatally because the identification takes precedence.
That’s what happens to people who are visibly Afro American or who are identified that way in our racist society, if not always in so dramatic and terminal a way. Mistaken identification can put an end to one’s identity by terminating the human being it’s attached to.” —Barbara J. Fields
Nayara Justino thought her dreams had come true when she was selected as the Globeleza carnival queen in 2013 after a public vote on one of Brazil’s biggest TV shows. But some regarded her complexion to be too dark to be an acceptable queen. Nayara and her family wonder what this says about racial roles in modern Brazil.
Neda Maghbouleh, Associate Professor of Sociology University of Toronto
René D. Flores, Neubauer Family Assistant Professor of Sociology University of Chicago
Ariela Schachter, Assistant Professor of Sociology; Faculty Affiliate in Asian American Studies Washington University in St. Louis, Saint Louis, Missouri
JUSTIN SULLIVAN/GETTY IMAGES
Five years ago, President Donald Trump was sued over the Muslim ban, which prohibited immigration and travel to the United States from seven majority Muslim countries. Although it is impossible to know how many lives were thrown into disarray by the flick of President Donald Trump’s pen, at least 41,000 people were denied visas based solely on their nationality. An overwhelming majority—94 percent—were people from Iran, Syria and Yemen.
President Joe Biden, like other critics of the ban, proclaimed that those affected “were the first to feel Donald Trump’s assault on Black and brown people.” But since a 1944 lawsuit in which a Arab Muslim man successfully argued that he was white in order to become a naturalized citizen, people from the Middle East and North Africa (MENA, which includes Iran, Syria and Yemen) have been counted as white in the U.S. As a result, and unlike other minorities, an estimated 3 million MENA Americans do not have a box to mark their identities on the Census or most surveys. And when MENA Americans are masked under the white category, the everyday group- and individual-level inequalities they face are made invisible, making clear that adding a MENA box to the U.S. Census is long overdue…
I’ll never forget the excitement I felt when, in the midst of researching The Free State of Jones, I came upon the WPA’s 1936 interview with Martha Wheeler, a former slave of Laurel, Mississippi. Today, I realize more than ever that Martha just may be the best source for verifiable remarks about Newt, Rachel, and Serena Knight, and the interracial community they built in Soso, Mississippi, in the aftermath of the Civil War.1
Unfortunately, no Hollywood movie could have provided an in-depth treatment of both a Civil War insurrection and the remarkable mixed-race community that followed. Only a fraction of Rachel’s factual personal life was told amid the larger story of slavery, Civil War, and class resistance to Confederate authority.
Nevertheless, judging from the traffic on this blog since release of The Free State of Jones, the movie’s abbreviated portrait of the interracial Knight community piqued tremendous interest among movie audiences. Tantalizing glimpses of the 1948 miscegenation trial of Newt and Rachel’s great-grandson, Davis Knight, as well as images of Newt’s two “wives,”—one white (Serena), the other a woman of color (Rachel)—in scenes of domestic contentment in post-Civil War Mississippi sparked that interest even more…
In the film Passing on Netflix, two mixed-race women in 1920s America struggle to find their place when society can’t put them in the right box. It’s not an uncommon pain—talk to any mixed-race person and odds are they’ll be able to tell you at least a dozen horror stories about their identity being misunderstood, fetishized, or stereotyped.
In the Netflix film, the women, Irene (played by Tessa Thompson) and Clare (Ruth Negga), are two sides of the same coin. Both light-skinned, Irene “passes” as white accidentally, whereas Clare “passes” on purpose to gain social status. What follows is an incredibly complex story about what it means to be somebody when the world sees you as something else.
When my dad would pick me up from third grade, kids would always ask if I’m adopted. There’s no way that Black man could be my dad, not when I’m so pale. After my parents split up and I went to live with my white mother and her parents in the suburbs, kids were ready to call me a liar when I would talk about being mixed. Though I never chose to pass—ask any mixed person and they’ll show you that genetics are messy and don’t give you much of a choice…
Blake Smith, Harper-Schmidt Fellow University of Chicago
Mackenzie Fierceton, back when she was a Rhodes Scholar. Credit: University of Pennsylvania/Instagram.
We can’t blame students for fabricating stories of hardship
University education was once sold to adolescents as a place where they might ‘find themselves’ through the liberal arts. In this fantasy, students could discover a more ‘authentic’ self as they learned, through the fearless and broad-ranging inquiry of impassioned conversations in and outside of seminars, to question received ideas. Academia today is certainly a place where people can themselves anew, if not more authentically.
Scholars like Jessica Krug or Carrie Bourassa, both white women, reimagined themselves as women of colour. Rhodes scholar Mackenzie Fierceton, also a white woman, was recently revealed to have constructed an elaborate persona as a ‘first-generation’ college student who had been passed through the foster system and suffered horrific physical abuse. She had in fact been privately educated and raised by her radiologist mother.
Such cases are only the most visible portion of the constant, ubiquitous deceit that is now built into the application process, which rewards candidates who can most convincingly tell stories — that is, who can lie…
MIAMI — Dolphins coach Mike McDaniel, clarifying comments this week in which he said he identified “as a human being,” affirmed that his racial background is not something he simply identifies as — it’s what he is.
“First and foremost, I’m biracial. My mom’s white, my dad’s Black. I’ve been extremely proud of that my whole life,” McDaniel told ESPN on Friday. “It is a unique experience, being a race and then fully acknowledging that most outside observers, when they perceive you, they identify you as something other than the race you are. When you’re younger and that is happening, it’s very, very confusing.”
The Dolphins introduced McDaniel as their 14th head coach this week. During a news conference Thursday in Miami, McDaniel was asked what his experience was growing up and whether his success can serve as an example for people with similar backgrounds…
[Kelly] Curtis is biracial. “My skin tone challenges the notion of being Black in America and what that carries,” she added.
She knows when the world sees her, people may not view her as someone who fits their preconceived notion of a skeleton athlete, an Olympian or a Black woman.
“I’m either not Black enough (an actual thing a teammate has said), or I need to speak on behalf of all Black Americans,” she said.
All of that debate is “exhausting,” Curtis added. So she has decided to just focus on what lies ahead for herself, and for anyone else who wants to see what this “crazy” sport is all about.
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BEIJING — Skeleton is a heart-racing, adrenaline-fueled event where a single racer flies face-first down a frozen track, sometimes going more than 80 mph, belly-down on a sled.
Kelly Curtis is quick to acknowledge this sport is “crazy.” That doesn’t make her love it any less.
The event has been a mainstay at the Winter Games since 2002. At the Beijing Winter Olympics, just three Americans will compete for a medal — and Curtis is one of them.
As soon as Curtis shot herself down a topsy-turvy track in Beijing on Friday, she made history.
Curtis is the first Black athlete, man or woman, to represent the U.S. at the Olympics in skeleton. The 33-year-old is also the only member of the U.S. Air Force at this year’s Winter Games.
Curtis joins a small group of Black athletes competing for the U.S. at the Beijing Olympics…
