Existing Across Boundaries: A Conversation with Community Journalist and Editor Sharon Ho Chang

Posted in Articles, Asian Diaspora, Autobiography, Identity Development/Psychology, Media Archive, Social Justice on 2022-02-07 21:38Z by Steven

Existing Across Boundaries: A Conversation with Community Journalist and Editor Sharon Ho Chang

The Seventh Wave
2021-10-15

Photo courtesy Sharon H. Chang

Sharon Ho Chang knows her way around community journalism. She is the managing editor at the South Seattle Emerald, a digital news and culture publication run by and centering the BIPOC people and communities who live, work, create, and are experiencing displacement due to gentrification in the city’s Central District and South End. The Emerald is a beacon of thorough, complex, and vital reporting for the immediate area, as well as an example of how journalism can embrace multifaceted local stories that have regional, national, and even global importance. In addition to editing the Emerald, Chang is also a writer, artist, and documentarian with a lot of storytelling under her belt, including the publication of two nonfiction books — Raising Mixed Race: Multiracial Asian Children in a Post-Racial World (Routledge, 2015) and the memoir Hapa Tales And Other Lies: A Mixed Race Memoir About the Hawai’i I Never Knew (self published in 2018) — both of which explore in academic and personal ways the experience of being mixed race. She is also a photographer and videographer, and is dedicated to documenting underrepresented and underreported stories of the people and places in her community in Seattle, her family and elders in Taiwan, and her own multiracial transnational experience.

Chang spoke with Interviews Editor Sarah Neilson over Zoom about her many, many journalism projects past and present; her experiences with feedback and creative inspiration over time; voting in her first Taiwan presidential election; and what Economies of Harm means to her…

Read the entire interview here.

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Seattle-based Coast Guard cutter’s journey through the Arctic: No ‘ice liberty’ in changing waters

Posted in Articles, Biography, History, Media Archive, United States on 2022-02-02 17:35Z by Steven

Seattle-based Coast Guard cutter’s journey through the Arctic: No ‘ice liberty’ in changing waters

The Seattle Times
2021-10-20

Hal Bernton, Staff Reporter

The Coast Guard Cutter Healy in the iceberg-laden waters of Baffin Bay near Umanak Fjord, Greenland, on Sept. 24. Healy was designed to support a wide range of Arctic research activities with more than 4,200 square feet of scientific laboratory space, numerous electronic sensor systems, oceanographic winches, and accommodations for a science team. (Chief Petty Officer Matt Masaschi / U.S. Coast Guard)

They call it “ice liberty,” a tradition during the Coast Guard’s maritime missions in Arctic waters. At a thick ice floe, the crew gets to disembark for a brief moment of freedom from the vessel confines. Some play touch football, or bring hockey gear for the occasion. Others just take a stroll.

This year, there was no suitable ice to be found during the Coast Guard Cutter Healy’s northern journey off Alaska and Canada. So the event was canceled.

“A lot of the floes had melt ponds with holes in them like Swiss cheese,” said Capt. Kenneth Boda, commander of the Seattle-based icebreaker. “We couldn’t get the right floe.”

Boda spoke via telephone during a port call in Boston. The vessel is deep into a marathon voyage that began July 10 as the 420-foot ship pulled away from its berth at the Coast Guard base in downtown Seattle and traveled into Arctic waters off Alaska. After a jog south, the Healy headed north again and through the Northwest Passage to the Atlantic

Arctic shipwreck found

A photograph of Captain Mike Healy taken on the quarterdeck of his most famous command, the Revenue Cutter Bear, with his pet parrot. (U.S. Coast Guard)

During the voyage, the Healy crew traversed some of the waters cruised more than a century ago by their vessel’s namesake, “Hell Roaring” Mike Healy, captain of the wooden-hulled U.S. Revenue Cutter Bear from 1886 to 1895.

Healy, who was born into slavery, is a legendary figure in U.S. maritime history. He was the first person of African American descent to command a U.S. government ship, and embarked on annual patrols off Alaska, which covered 15,000 to 20,000 miles.

Healy was a kind of maritime sheriff who helped enforce the law as he acted as “judge, doctor and policeman to Alaska Natives, merchant seamen, and whaling crews,” according to a U.S. Coast Guard history, and also led the Bear on a historic 1884 rescue of starving survivors of an Arctic expedition under command of Army 1st Lt. Adolphus Greely

Read the entire article here.

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My First School Talk On Raising Mixed Kids

Posted in Articles, Identity Development/Psychology, Media Archive, Teaching Resources, United States on 2019-03-29 02:35Z by Steven

My First School Talk On Raising Mixed Kids

Sharon Chang: author | photographer | activist
2019-03-21

Sharon H. Chang

SHC Event Flyer All CD

I gave the first, dedicated talk I’ve ever given on raising Mixed Race children in Seattle, Tuesday, March 5: “Raising Mixed Kids: Multiracial Identity & Development.”…

Read the entire article here.

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Peace Weavers: Uniting the Salish Coast through Cross-Cultural Marriages

Posted in Autobiography, Biography, Books, Canada, History, Media Archive, Monographs, Native Americans/First Nation, Women on 2018-11-18 22:59Z by Steven

Peace Weavers: Uniting the Salish Coast through Cross-Cultural Marriages

Washington State University Press
2017
290 pages
Illustrations / maps / notes / bibliography / index
Paperback ISBN: 978-0-87422-346-0

Candace Wellman

Peace-weaving marriages between Salish families and pioneer men played a crucial role in mid-1800s regional settlement. Author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four exceptional women she profiles left a lasting legacy in their Puget Sound communities.

Strategic cross-cultural marriages between Coast and Interior Salish families and pioneer men played a crucial role in mid-1800s regional settlement and spared Puget Sound’s upper corner from tragic conflicts. Accounts of the husbands exist in a variety of records, but the native wives’ contributions remained unacknowledged. Combining primary and secondary sources, genealogy, and family memories, author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four women she profiles exhibited exceptional endurance, strength, and adaptability. They ran successful farms and businesses and acted as cultural interpreters and mediators. Although each story is unique, collectively they and other intermarried individuals helped found Puget Sound communities and left a lasting legacy. They were peace weavers.

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Ijeoma Oluo: ‘I am drowning in whiteness’

Posted in Articles, Audio, Autobiography, Family/Parenting, Media Archive, Social Justice, United States on 2017-10-07 20:47Z by Steven

Ijeoma Oluo: ‘I am drowning in whiteness’

KUOW Puget Sound Public Radio
Seattle, Washington
2017-10-01

Ijeoma Oluo


Seattle writer Ijeoma Oluo
KUOW Photo/Bond Huberman

Hi, I am Ijeoma Oluo, and I am a mixed race black woman who was raised by a white mother in this very white city.

I have a Ph.D. in whiteness, and I was raised in “Seattle nice.” I was steeped in the good intentions of this city and I hate it.

I love this city. I love you guys. Also, I hate it. I really do…

Read the entire article here. Listen to the story (00:10:24) here.

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Biracial composer seeks her ‘true name’ through piece for North Corner Chamber Orchestra

Posted in Articles, Arts, Media Archive, United States on 2017-03-12 16:53Z by Steven

Biracial composer seeks her ‘true name’ through piece for North Corner Chamber Orchestra

The Seattle Times
2017-02-16

Jason Victor Serinus, Special to The Seattle Times


Composer Hanna Benn

NOCCO’s Feb. 18-19 concerts will feature a work by local composer Hanna Benn; works by Davida Ingram, Alex Guy and Rick Benjamin, rooted in Scott Joplin’s opera, “Treemonisha”; and works by Alvin Singleton and George Walker.

It is the very subject of “Resonance,” North Corner Chamber Orchestra’s concert “Celebrating Black American Composers,” that left Seattle-based composer Hanna Benn, 29, in a bit of quandary. As much as she was delighted to work with one of the world’s few conductorless chamber orchestras, her commission to honor black American composers left her pondering the fact that she is biracial, and does not see herself as either black or white.

“For the last couple of years, I’ve been trying to understand where I come from, and my responsibility as a biracial person,” she explained by phone and email. “I want to completely embrace my blackness / my whiteness.”…

Read the entire article here.

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Black Semitic Girl Reader At The Airport

Posted in Articles, Autobiography, Media Archive, Social Justice, United States on 2017-02-08 21:14Z by Steven

Black Semitic Girl Reader At The Airport

Medium
2017-02-07, 21:00 PST (Local Time)

Chanda Prescod-Weinstein, Theoretical Astro|Physicist

Where books become bombs

Seattle International Airport—Just spent 20 minutes being physically searched at Seattle airport, body searched, and at one point being spoken to and surrounded by seven — yes seven — TSA agents while being informed my backpack had bomb making materials in it. A few thoughts:

  1. My bag was flagged at the X-ray machine because I had too many books in my bag.
  2. Then the chemical testing machine told them that there were bomb making materials in my bag. Remember, they were only looking because I had “too many” books
  3. Then a second machine told them that my 2014 model MacBook Pro had extra bomb making materials on it.
  4. They checked my hair, my breasts, and between my legs.
  5. Then they told me they would have to do it again…

Read the entire article here.

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Why white liberals need to figure out how to talk about race

Posted in Articles, Audio, Interviews, Media Archive, Politics/Public Policy, United States on 2017-01-28 01:54Z by Steven

Why white liberals need to figure out how to talk about race

KUOW.org: 94.9 FM, Seattle News & Information
2017-01-06

By Katherine Banwell & Jamala Henderson


Professor Ralina Joseph at the University of Washington says to just start talking about race.
University of Washington

Why is race so hard to discuss? Ralina Joseph, founding director of the University of Washington’s Center for Communication, Difference, and Equity, talked about coded racial language, from Seattle liberals to Trump. This is a transcript from her interview, lightly edited for clarity…

Listen to the interview (00:04:12) here.

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“Please select one”: Growing up with a multiracial identity

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, United States on 2016-11-22 01:28Z by Steven

“Please select one”: Growing up with a multiracial identity

The Seattle Globalist
2016-11-31

Jaya Duckworth, Senior
Garfield High School, Seattle, Washington


Jaya Duckworth (second from right) and friends hold signs showing pride in multiracial identities at a school district-wide walkout in protest of the election of Donald Trump. (Photo courtesy Jaya Duckworth.)

Race: Please select one”

It’s an instruction mixed-race people are all too familiar with. These days, surveys have become more nuanced, and usually read “select all that apply.” But growing up, I faced dozens of surveys, questionnaires, and tests that all made me choose one race.

As a half-white, half-Nepali child, I never knew what to select. Do I select white because I act like white kids and talk like white kids, go to school with white kids and have been raised like a white kid? Or do I select Asian because I look brown, because I eat curry, because on Christmas morning I always had to wait until puja was over at my Nepali grandparents’ house before I could open presents? White kids don’t do that, do they?

I usually ended up choosing “Other,” as if instead of being human, I was a stray dog; some lost object or animal that no one could categorize. Sometimes surveys also listed “multiracial,” which didn’t sit well with me either. The label feels like a message: here, these are the important races, and anyone who doesn’t fit these categories can be lumped together under the “mutt” category…

Read the entire article here.

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BrownBox Theatre and Sound Theatre Company to Present Encore Reading of BLACK LIKE US

Posted in Articles, Media Archive, Passing, United States, Women on 2016-11-10 21:22Z by Steven

BrownBox Theatre and Sound Theatre Company to Present Encore Reading of BLACK LIKE US

Broadway World
2016-11-05

BWW News Desk

To celebrate the publication of the play Black Like Us, BrownBox Theatre joins forces with Sound Theatre Company to present an “encore” staged reading of the Gregory Award Winning Play at the Langston Hughes Performing Arts Institute. Black Like Us is a funny, poignant, and deeply relevant story about the bonds of family, the struggles of identity, and the far-reaching effects of one woman’s decision. The play is set in Seattle’s Central District neighborhood, not far from the location of the Langston Hughes Performing Arts Institute, and spans decades of change that have impacted that community.

In their second collaboration, BrownBox Theatre and Sound Theatre Company present the staged reading of Gregory Award winning play

Black Like Us at the Langston Hughes Performing Arts Institute. Performances are Saturday, November 19 at 2:00pm and at 7:00 pm and free and open to the public. There is a reception between the performances to celebrate the publication of this script and the work of playwright Rachel Atkins and the companies of artists who helped to develop this multi-award-winning play.

Sound Theatre Company and BrownBox Theatre last collaborated on the 2015 production of Marcus Gardley’s visionary and poetic play, …And Jesus Moonwalks the Mississippi at the Center Theatre at the Seattle Center Armory.

In 1958, a young African-American woman makes the life-changing decision to start passing for white, creating a ripple effect through multiple generations. In 2013, her granddaughters accidentally discover her secret and seek out the family she left behind. Moving back and forth through time, what happens in between is a frank and funny look at the shifting boundaries of tolerance, as they are all faced with the many questions of what identity really means…

Read the entire article here.

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