Mixed Race Studies

Race and Media: Critical Approaches

New York University Press
December 2020
320 pages
6.00 x 9.00 in
11 b/w illustrations
Hardcover ISBN: 9781479895779
Paperback ISBN: 9781479889310

Edited by:

Lori Kido Lopez, Associate Professor in Media and Cultural Studies
University of Wisconsin, Madison

A foundational collection of essays that demonstrate how to study race and media

From graphic footage of migrant children in cages to #BlackLivesMatter and #OscarsSoWhite, portrayals and discussions of race dominate the media landscape. Race and Media adopts a wide range of methods to make sense of specific occurrences, from the corporate portrayal of mixed-race identity by 23andMe to the cosmopolitan fetishization of Marie Kondo. As a whole, this collection demonstrates that all forms of media—from the sitcoms we stream to the Twitter feeds we follow—confirm racism and reinforce its ideological frameworks, while simultaneously giving space for new modes of resistance and understanding.

In each chapter, a leading media scholar elucidates a set of foundational concepts in the study of race and media—such as the burden of representation, discourses of racialization, multiculturalism, hybridity, and the visuality of race. In doing so, they offer tools for media literacy that include rigorous analysis of texts, ideologies, institutions and structures, audiences and users, and technologies. The authors then apply these concepts to a wide range of media and the diverse communities that engage with them in order to uncover new theoretical frameworks and methodologies. From advertising and music to film festivals, video games, telenovelas, and social media, these essays engage and employ contemporary dialogues and struggles for social justice by racialized communities to push media forward.

Contributors include: Mary Beltrán, Meshell Sturgis, Ralina L. Joseph, Dolores Inés Casillas, Jennifer Lynn Stoever, Jason Kido Lopez, Peter X Feng, Jacqueline Land, Mari Castañeda, Jun Okada, Amy Villarejo, Aymar Jean Christian, Sarah Florini, Raven Maragh-Lloyd, Sulafa Zidani, Lia Wolock, Meredith D. Clark, Jillian M. Báez, Miranda J. Brady, Kishonna L. Gray, and Susan Noh.

Hollywood at the Intersection of Race and Identity

Rutgers University Press
2019-11-15
314 pages
31 b-w photographs
6 x 9
Paperback ISBN: 978-0-8135-9931-1
Cloth ISBN: 978-0-8135-9932-8
PDF ISBN: 978-0-8135-9935-9
EPUB ISBN: 978-0-8135-9935-9

Edited by:

Delia Malia Caparoso Konzett, Professor of English, Cinema/American/Women’s Studies
University of New Hampshire, Durham

Contributions by: Ruth Mayer, Alice Maurice, Ellen C. Scott, Delia Malia Caparoso Konzett, Jonna Eagle, Ryan Jay Friedman, Charlene Regester, Matthias Konzett, Chris Cagle, Dean Itsuji Saranillio, Graham Cassano, Priscilla Peña Ovalle, Ernesto R Acevedo-Muñoz, Mary Beltrán, Jun Okada, and Louise Wallenberg.

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?

Table of Contents

• Introduction
• Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy
  • Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s / Ruth Mayer
  • The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise / Alice Maurice
  • MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) / Ellen C. Scott
  • Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) / Delia Malia Konzett
• Genre and Race in Classical Hollywood
  • “A Queer, Strangled Look”: Race, Gender, and Morality in The Ox-Bow Incident / Jonna Eagle
  • By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell / Ryan Jay Friedman
  • Disruptive Mother-Daughter Relationships: Peola’s Racial Masquerade in Imitation of Life (1934) and Stella’s Class Masquerade in Stella Dallas (1937) / Charlene Regester
  • The Egotistical Sublime: Film Noir and Whiteness / Matthias Konzett
• Race and Ethnicity in Post-World War II Hollywood
  • Women and Class Mobility in Classical Hollywood’s Immigrant Dramas / Chris Cagle
  • Orientalism, Diaspora, and Indigeneity in Go for Broke! (1951) / Dean Itsuji Saranillio
  • Savage Whiteness: The dialectic of racial desire in The Young Savages (1961) / Graham Cassano
  • Rita Moreno’s Hair / Priscilla Peña Ovalle
• Intersectionality, Hollywood, and Contemporary Popular Culture
  • “Everything Glee in ‘America’”: Context, Race, and Identity Politics in the Glee Appropriation of West Side Story / Ernesto R. Acevedo-Muñoz
  • Hip Hop “Hearts” Ballet: Utopic Multiculturalism and the Step Up Dance Films / Mary Beltrán
  • Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film / Jun Okada
  • “Let Us Roam the Night Together”: On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) / Louise Wallenberg
• Acknowledgments
• Selected Bibliography
• Contributors
• Index

Mixed Race 3.0: Risk and Reward in the Digital Age

USC Annenberg Press
2015-01-30
113 pages
ISBN: 9781625175564

Edited by:

Ulli K. Ryder
Department of Gender and Women’s Studies
University of Rhode Island

Marcia Alesan Dawkins, Clinical Assistant Professor
Annenberg School for Communication and Jounalism
University of Southern California, Los Angeles, California

Have you been asked, “what nationality are you” or “what country are you from”?
Have you been puzzled when forms tell you to “select only one ethnicity”?
Have you been disturbed to hear that you’re the “face of a colorblind future”?

If you answered ‘yes’ to any of these questions, this book is for you.

Mixed Race 3.0: Risk and Reward in the Digital Age is an e-book that contains 17 contributions (many with exclusive photos) from award-winning writers, researchers and artists who embody a “mixed mindset.” Audacious and razor-sharp, Mixed Race 3.0 exposes the many monochromatic portrayals of multiracial people’s richness, variety and struggles in history, politics, mass-media and technology. Fans of Loving Day, Race Remixed, Mixed Chicks Chat, The Mixed Experience Podcast, Mixed Girl Problems and Critical Mixed Race Studies will be captivated, incensed and inspired by the powerful discussions of risks and rewards of being multiracial today.

Beyond memoir or case study, this book offers three versions of what it means to be mixed from a variety of voices. Version 1 is “Mixed Race 1.0: A Monologue.” Or, how did multiracial identities emerge in the U.S. and what challenges did they face? Version 2 is “Mixed Race 2.0: A Dialogue.” Or, what are some core differences between how multiracials think and talk about themselves and how U.S. and global cultures think and talk about them? Version 3 is “Mixed Race 3.0: A Megalogue.” Or, where in the world is this entire thing going as technology plays more of a role?

With honest storytelling and up-to-date critical inquiry, Mixed Race 3.0 plots a path not just to being mixed in the 21st century, but one open to anyone interested in simply “how to be.” The result is a poignant, intelligent, and daring journey that dissects the controversial label—multiracial—and challenges any politician, pundit or provocateur that purports to speak for or about all multiracial people.

Table of Contents

• Foreword
  • Herman S. Gray
• Introduction
• Section 1 Mixed Race 1.0: A Monologue
  • Gary B. Nash
  • Peggy Pascoe
  • Jordan Clarke
• Section 2 Mixed Race 2.0: A Dialouge
  • Ken Tanabe
  • Lori L. Tharps
  • Andrew K. Jolivette
  • Ulli K. Ryder
  • Marcia Alesan Dawkins
  • Stephanie Sparling
• Section 3 Mixed Race 3.0: A Megalogue
  • Rainier Spencer
  • Velina Hasu Houston
  • Lindsay A. Dawkins
  • Amanda Mardon
  • Shoshana Sarah
  • Mary Beltrán
  • Lisa Rueckert
• The Authors and Artists

The JCMRS inaugural issue will be released on Summer, 2013

Journal of Critical Mixed Race Studies
c/o Department of Sociology
SSMS Room 3005
University of California, Santa Barbara
Santa Barbara, California  93106-9430
E-Mail: socjcmrs@soc.ucsb.edu
2012-10-10

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to developing the field of Critical Mixed Race Studies (CMRS) through rigorous scholarship. Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies.

JCMRS is transracial, transdisciplinary, and transnational in focus and emphasizes the critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions and constructions of ‘race.’ JCMRS emphasizes the constructed nature and thus mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. JCMRS addresses local and global systemic injustices rooted in systems of racialization.

Sponsored by University of California, Santa Barbara’s Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library. JCMRS functions as an open-access forum for critical mixed race studies scholars and will be available without cost to anyone with access to the Internet.

Volume 1, Issue 1, Spring 2013 will include:

• “Editor’s Note”—G. Reginald Daniel
• “Emerging Paradigms in Critical Mixed Race Studies”—Laura Kina, Wei Ming Dariotis, G. Reginald Daniel, and Camilla Fojas

Articles

1. “Historical Origins of the One-Drop Racial Rule in the United States”—Winthrop Jordan edited by Paul Spickard
2. “Retheorizing the Relationship Between New Mestizaje and New Multiraciality as Mixed Race Identity Models”—Jessie Turner
3. “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation,” Keynote Address presented at the Critical Mixed Race Studies Conference, November 5, 2010, DePaul University—Andrew Jolivétte
4. “Only the News We Want to Print”—Rainier Spencer
5. “The Current State of Multiracial Discourse”—Molly McKibbin
6. “Slimy Subjects and Neoliberal Goods”—Daniel McNeil

Editorial Board

Founding Editors: G. Reginald Daniel, Wei Ming Dariotis, Laura Kina, Maria P. P. Root, and Paul Spickard

Editor-in-Chief: G. Reginald Daniel

Managing Editors: Wei Ming Dariotis and Laura Kina

Editorial Review Board: Stanley R. Bailey, Mary C. Beltrán, David Brunsma, Greg Carter, Kimberly McClain DaCosta, Michele Elam, Camilla Fojas, Peter Fry, Kip Fulbeck, Rudy Guevarra, Velina Hasu Houston, Kevin R. Johnson, Andrew Jolivette, Rebecca Chiyoko King-O’Riain, Laura A. Lewis, Kristen A. Renn, Maria P. P. Root, Stephen Murphy-Shigematsu, Gary B. Nash, Kent A. Ono, Rita Simon, Miri Song, Rainier Spencer, Michael Thornton, Peter Wade, France Winddance Twine, Teresa Williams-León, and Naomi Zack

For more information, click here.

Professor Mary Beltrán to be Featured Guest on Mixed Chicks Chat

Mixed Chicks Chat (Founders of the Mixed Roots Film & Literary Festival)
Hosted by Fanshen Cox, Heidi W. Durrow and Jennifer Frappier
Website: TalkShoe™ (Keywords: Mixed Chicks)
Episode: #255 Professor Mary Beltrán
When: Wednesday, 2012-05-09, 21:00Z (17:00 EDT, 14:00 PDT)

Mary C. Beltrán, Associate Professor of Media Studies
University of Texas, Austin

Mary Beltrán an Assistant Professor of Radio-Television-Film at the University of Texas at Austin, is of Mexican and German, English, and Scotch Irish heritage. Her research is focused on the production and narration of race, ethnicity, gender and class in U.S. television, film, and celebrity culture, with an emphasis on Latina/o and mixed race representation. She is the co-editor (with Camilla Fojas) of Mixed Race Hollywood (NYU Press 2008), an anthology of scholarship on mixed-race representation in film, television, and new media. She also is the author of Latina/o Stars in U.S. Eyes: The Making and Meanings of Film and TV Stardom (University of Illinois Press, 2009), which explores the construction and marketing of Latina and Latino stars in the U.S. in relation to the evolving status of Mexican Americans and other Latinos since the 1920s. Mary is a former journalist and social worker; her experiences working in San Francisco with Latina and African American teens and interest in the complexities of popular culture and its impact on young people of color spurred her to pursue a career that would allow her to combine her various interests and conduct research at the intersections of race, class, and gender and entertainment media studies. Since becoming a faculty member of the University of Wisconsin-Madison and now the University of Texas, Beltrán has taught a variety of classes on race and entertainment meida, including first-ever courses at both universities on Mixed Race and U.S. Media Culture. Aside from her books, she has published on such topics as mixed-race actors and characters in U.S. media culture, racial representation in millennial television, ethnic media activism targeting the television networks, and the racial politics of beauty and body ideals as reinforced in Hollywood media productions. She has been conducting research for a new book, Post-Race Pop: Interrogating Racelessness in Millennial Media Culture. Post-Race Pop explores the emphasis on racial ambiguity and utopic presentations of racial and ethnic diversity in contemporary television and other millennial media culture, particularly in light of the imperatives of the media industries to appeal to an increasingly diverse audience and popular political rhetoric that has utilized notions of post-racial America to widely divergent ends.

Selected Bibliography:

• Mixed Race Hollywood, New York University Press, 2008.
• “Everywhere and Nowhere: Mediated Mixed Race and Mixed Race Critical Studies,” Keynote address video at the 2010 Critical Mixed Race Conference (Requires Apple’s iTunes application).
• “The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive,” 2005.

RTF 386 – Beyond Binaries: Mixed Race Representation and Critical Theory

University of Texas, Austin
Spring 2012

Mary Beltrán, Associate Professor of Media Studies

This graduate seminar surveys historical and critical and cultural studies scholarship on the evolution of mixed race in U.S. film and media culture. American histories, cultures, and identities have traditionally been understood through rubrics of racial binaries and negations. Given this tradition, characters of mixed racial and ethnic heritage and interracial romances have served as powerful symbols within mediated story worlds, while mixed-race actors also seen be seen to highlight fault lines in the nation’s and Hollywood’s construction of race. We’ll explore the growing body of scholarship analyzing the evolution of mixed-race representation within film, media, and celebrity culture and its implications with respect to past and contemporary notions of race and the increasingly diverse U.S. audience.

Multiracialism on The Real World and the Reconfiguration of Politics in MTV’s Brand During the 2000s

Popular Communication
Volume 8, Issue 2, 2010
pages 132-146
DOI: 10.1080/15405701003676105

Jon Kraszewski, Assistant Professor of Communication
Seton Hall University, South Orange, New Jersery

The Real World’s focus on multiracial identity is part of the MTV’s efforts to rebrand itself as being more tolerant of all political opinions in the 2000s. Post-2000 seasons of The Real World contain two different portraits of multiracialism that appeal to viewers across the political spectrum. The liberalism in these seasons comes from multiracialism functioning as a liberal utopia free of racism, one where fluidity, not hostility, defines race relations. At the same time, these seasons appeal to conservative sensibilities by making multiracial cast members models of neoliberal self-management that conservatives recently have used to justify dismantling the welfare state and civil rights initiatives. While neither the liberal nor the conservative portraits of multiracialism on post-2000 seasons of The Real World appear to be overtly racist, I unearth subtext where The Real World articulates multiracialism to white supremacy and anti-blackness.

The Real World is one of the longest running series in American television history. Premiering in 1992. the series has already completed 22 seasons, and MTV recently contracted for four more. Scholars have interrogated the racial politics of the series, but they have equated race with either blackness, specifically the series’ stereotypical portraits of black masculinity, or tensions between urban blacks and rural whites (Bell-Jordan, 2008; Kraszewski, 2009; Orbe, 1998; Park, 2008). This focus has excluded scholarly engagement with other racial identities on the series. This essay unsettles the scholarly equation of race with blackness in The Real World by exploring the politics of multiracialism on the series in the 2000s. A list of multiracial characters on recent seasons includes Aneesa from The Real World, Chicago; Irulon and Arissa from The Real World, Las Vegas; Adam from The Real World, Paris, and Brianna from The Real World, Hollywood. These cast members has one parent who is black and one who is white. The erasure of these characters from discussions about race relates to a larger omission of mixed-race people from media studies scholarship. In Mixed Race Hollywood, Beltrán and Fojas (2008) write that despite “the veritable explosion of multiracial imagery in Hollywood film and media culture today, there has been little published scholarship to dale on the history or current representation of mixed-race individuals, romances, families, or stars on screen” (p. 2).

Analyzing a long-running series such as The Real World presents methodological and historical problems: a channel undergoes branding changes over the course of 18 years, which…

Read or purchase the article here.

A Review of “Mixed Race Hollywood”

Quarterly Review of Film and Video
Volume 28, Issue 5 (2011)
pages 428-433
DOI: 10.1080/10509200902820589

Delia Konzett, Associate Professor of English
University of New Hampshire

Mixed Race Hollywood, edited by Mary Beltrán and Camilla Fojas. New York: New York University Press, 2008

The problem of the 20th century, W. E. B. Dubois would famously write in 1903, is that of the color line. Over 100 years later, we can unfortunately still say the problem of the 21st century is the color line, particularly our inability to move beyond entrenched binary conceptions of race (white/black or white/nonwhite) and acknowledge the new multiracial contexts that inform our present global, multicultural, and multimedia era. Mixed Race Hollywood is a timely and extremely valuable collection of essays that explores the various facets of the history of mixed race representation in mainstream American film and media.

Such representation has a long and complex tradition in Hollywood, ranging from the notorious depiction of the treacherous mulatto in Birth of a Nation (D. W. Griffith, 1915) and the non-threatening interracial pairing of Shirley Temple and Bojangles Robinson in The Little Colonel (David Butler, 1935) and The Littlest Rebel (David Butler, 1935) to the mixed race love affair in Guess Who’s Coming to Dinner (Stanley Kramer, 1967) that symbolically announced the arrival proper of civil rights. Since the mid 1990s, as the anthology’s editors Mary Beltrán and Camilla Fojas note, there has been a significant cultural shift in mixed race representation as seen in the “veritable explosion of multiracial imagery in…

Read or purchase the article here.

Mary Beltrán and Camilla Fojas (Eds.), Mixed Race Hollywood, New York University Press, 2008, 325 pp. [Review]

International Journal of Communication
Issue 4 (2010)
pages 139-141

Marcia Alesan Dawkins, Visiting Scholar
Brown University

In the wake of “Obama-mania,” conventional wisdom about racial identity is facing a set of new and unique challenges. It is therefore imperative for scholars and industry professionals to reflect on multiracial identification, representation, history and post-racial politics as they pertain to art and to life. This is exactly what Mixed Race Hollywood, four parts, the book examines representations of multiracial people as integral yet often silenced parts of our real and imagined communities. A truly interdisciplinary study, the essays explore a wide range of topics—from early mixed race film characters to Blaxploitation and “multiracial chic” to children’s television programming, same-sex romance and the “outing” of mixed race stars online. Both provocative and timely, the collection helps its readers better understand the evolving conceptions of what race actually is and can be—mixed. The threads running through each essay are these two questions: How are mixed race people deployed as subjects and/or objects in Hollywood? And, when it comes to issues of mixed race, does art imitate life or does life imitate art?…

Read the entire review here.

Video from 2010 Critical Mixed Race Studies Conference at DePaul now available on iTunes U

If you missed the Nov 5-6, 2010 “Emerging Paradigms in Critical Mixed Race Studies” conference or any of the keynote talks or the welcoming address, you can now download the videos via Apple’s iTunes U.

Here is a link to the following videos:

• November 5th (00:19:48): Welcoming Remarks by DePaul’s Liberal Arts & Sciences Dean Charles Suchar and conference organizers Camilla Fojas, Wei Ming Dariotis, and Laura Kina.
• November 5th (00:50:36): Keynote Address by Andrew Jolivette, “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation”
• November 6th(01:00:04): Keynote Address by Mary Beltrán, “Everywhere and Nowhere: Mediated Mixed Race and Mixed Race Critical Studies”
• November 6th (00:57:08): Keynote Address by Louie Gong, “Halfs and Have Nots”

Please note that your computer must have Apple’s iTunes installed in order to view the video.  It can be download here.